Andrew Cyrille is perhaps the preeminent free-jazz percussionist of the 1980s and 90s. Few free-jazz drummers play with a tenth of Cyrilles grace and authority. His energy is unflagging, his power absolute, tempered only by an ever-present sense of propriety. Cyrille is at his best in an utterly free context, as on his encounters with the ambidextrous pianist Borah Bergman, where his serrated rhythms and variable textures are given maximum latitude. Cyrille began playing drums in a drum and bugle corps at the age of 11. At 15, he played in a trio with guitarist Eric Gale. For a period in his teens, Cyrille studied chemistry before enrolling in Juilliard School of Music in 1958. In the late 50s and early 60s, he worked with such mainstream jazzers as Mary Lou Williams, Roland Hanna, Roland Kirk, Coleman Hawkins, and Junior Mance. He recorded with Hawkins, as well as tenor saxophonist Bill Barron, for the Savoy label. Cyrille succeeded Sunny Mur...